oh hells yeah

Fuckin eh!

These are so cool. I’ve played 2 in-shop and quite like them. The original Fender Rascals really call to me with the lipstick pickups, but these Squiers with the buckers really growl

Good intel.

Oof, yeah, I've definitely seen cheap Tune-o-Matic type bridges made of cheap materials (or perhaps improperly cooled while molding, affecting the crystal structure?) sag after being under tension for a while (an old blog from 2011 I just found detailing a "fix" http://sfguitarworks.com/tune-o-matic ...

Great to know on the Guyker; I've been considering a similar unit for my Firebird, but a more expensive Duesenburg Les Trem II, then saw the Guykers and was having the will this do?? thoughts.

I've messed around with Squier Starcasters in hops, and they've largely felt pretty good, and yeah, sound ...

Love it!

beaut

Hells yeah

Huh, super interesting build decisions in this thing.
Those chromed P90s would look kinda sick, too bad they're not noiseless.

I think this is the body itself?
So yeah, slightly changed curve radii, bigger/smaller bouts...

All of this is goddamn lovely!

Basically.
I think they have 250k pots, but still are Jag-adjacent from the demos I've heard

Those are pretty nice. I quite like the first finish!

Gonna look sick

I could hang with that. Expensive but not crazy expensive.


Looks like it's $850Cdn... which isn't too bad. Given say an Orange Bass Terror is $1300, or OB1-300 is $1150, and about the same price as a Gain Baby or Dual Baby (which are 100W, not 200W) it's kind of mid to low priced compared to ...

This looks pretty slick.

Yeah, for me it's largely relaxing my grip, switching between longscale bass, shortscale bass, and various guitar scales. I can play for hours in practice, but get on stage and a lot of that relaxed hold goes out the window; I'm squeezing the pick, I'm mashing the strings into the fingerboard ...

Yeah, for me it's largely relaxing my grip, switching between longscale bass, shortscale bass, and various guitar scales. I can play for hours in practice, but get on stage and a lot of that relaxed hold goes out the window; I'm squeezing the pick, I'm mashing the strings into the fingerboard... and ...