Long shot I know, but mine packed up at rehearsal last night and we've got a gig on Wednesday. I've already ordered a replacement but it won't be here in time so I don't really want to buy a new one. I'm based in London and can reward with beer or even a couple of guestlists if you want to come see ...

Having been extremely quiet for ages, my beloved Supermarionation are back. Having moved to London for work a couple of years ago, I'm playing for the first time on Thursday at DIY Space for London supporting PAWS and Sam Goodwill. Links for tickets and there's a Facebook event which I can't access ...

Just happend across this (old) thread while looking for something else and the point made about daisychaining digital pedals made me think - I currently daisychain a mix of analog and digital pedals off two power supplies, would it make a difference to rejig things so the digital and analog pedals ...

Surely the best thing for this would be some kind of parallel loop like the LS-2 which takes an expression pedal? Then you could use a drive of your choice provide the dirt.

Though unhelpfully, I've no idea if such a thing exists.

...it can be used to process the guitar sound, offering tuned delay and feedback which can be played with the pedals.

Which will hopefully sound excellent.

Just to update: I have now done this and it does indeed sound excellent.

I have also figured out that the pedals were in Octave mode which ...

I'm kinda surprised Zvex hasn't made one with digital controls to save these millions of settings contained within.

But then again.. y'know- GUITARISTS.

I have a plan in my mind to upgrade my DSI Evolver to a Pro 2 and wire up some Dwarcraft eurorack modules with footswitches and then use the ...

Mine is to have someone else do it so that they work and I don't die.

Ditto.

Me want THEM ALL.

Yah dude, it's the internal feedback loop, then I have the Earthquaker Disaster Transport Sr. and a looper. Lots of layers and whatnot in that performance :) Last week was a bonus week, with 2 vids!

Sweet, it sounds awesome. I might try something similar with a feedback loop I aquired a while ...

Saw this, love that Dave Smith shit.

I really want to play with a Pro 2 too.

Not sure whether this is part of the series or not but I very much enjoyed the Eau Claire Thunder: INSTRUMENT! video - can you give some details on the setup? Is it just driven by the feedback? Thanks

For a MIDI controller, EVERYONE SHOULD JUST GET BASS PEDALS.

I think that's just going to require a guitar synth at this point.

meltedbuzzbox wrote:been playing with this non stop

How do you find the Bone Collector? I've always been quite interested in one of those.

Bin a bunch of your other delay/mod pedals for an MS-70CDR? There's a one on The Fretboard for £45 so you could try it out and then flip it if it doesn't work for you?

If you're recording a multi-track to mix later on, then the deeper the bit depth, the better as you can loose information when you sum them all up via the mixing process. Once it's mixed and mastered, you can then dither down to 16-bit for normal folkes to listen to.

westtexasred wrote:I only one one guitar so that gave me the excuse to get another one.

Keep following that logic and you'll soon own all the guitars.

Been looking at the evolver recently.

So are you using the bass pedals with it? If not what are you using to control them?

I'm currently using the bass pedals to both play sounds and trigger the sequencer on the Evolver (they're just Roland PK-5 MIDI pedals). Took it too rehearsal last night for ...

Sweet article Tim. Congrats