bass V value
Moderated By: mods
bass V value
what is a bass V worth? i find the weird body design and odd headstock appealing...

- SKC Willie
- Bunk Ass Fuck
- Posts: 3465
- Joined: Thu Nov 05, 2009 5:46 pm
- Location: Columbia, MO
- Contact:
- endsjustifymeans
- Grown Up Punk
- Posts: 19442
- Joined: Tue Feb 10, 2009 4:02 pm
- Location: Ball So Hard University
Whats about the wierd strap peg locations.robroe wrote:this thing is fucking massive. i needed to sit down to play it
There's one on the headstock or sumfink.
dots wrote:society is crumbling because of asshoels like ends
brainfur wrote:I'm having difficulty reconciling my desire to smash the state & kill all white people with my desire for a new telecaster
- SKC Willie
- Bunk Ass Fuck
- Posts: 3465
- Joined: Thu Nov 05, 2009 5:46 pm
- Location: Columbia, MO
- Contact:
It's kind of amusing that Leo Fender was brilliant enough to invent the 5 and 6 string electric bass guitars, yet somehow thought that bassists wanted extra higher notes instead of lower ones. Actually, the Bass V is weird in that you get an extra string, but because it has only 15 frets you don't get any notes higher than a standard 20 fret 4 string. I'm not really sure what the point is in having a high C string in that case. The Bass VI seems like a much more practical instrument.aen wrote:RObert OG said those things play like shit, too. And seriously, who the fuck needs an extra high string?
Is the Bass V a 34" scale? If so, I would imagine that it would only need a new nut in order to use a BEADG tuning. If I had the skills, I would try and build a copy from scratch myself (I certainly don't have the skills!) and use a low B string. One of these days I'll build a Bass VI from USACG parts (if I ever finish all my other projects first!)
Yeah it's 34"
The white one rob is holding in that picture didn't play well at all. The neck is an awkward shape because of the extra width and the overall balance feels odd because of the long body. A lot of it is it just being different relative to what is the norm, but the only reason I can see for it being coveted is that it's rare.
The white one rob is holding in that picture didn't play well at all. The neck is an awkward shape because of the extra width and the overall balance feels odd because of the long body. A lot of it is it just being different relative to what is the norm, but the only reason I can see for it being coveted is that it's rare.
Shabba.

1967, VG+, rosewood fingerboard with white binding and pearloid block inlays, sunburst finish, very rare model, heavy duty gig bag......$2750
gruhn.com
jcyphe wrote: Mo is the most sensible person in this thread.
icey wrote:and thats for the hatters (╯°□°)╯︵ ┻━┻




