MMPicker wrote:With an emphasis on"partly".
It's true Taylors do tend towards the bright side in general, they are often critiqued as sounding "thin and reedy" by those who are not fans. But there is an unmistakable effect on bass , constrained sound often poorly described as "boxiness", and overall volume, that is attributable to the size of the box itself. this goes to the tonal physics of acoustic guitars and transcends maker. And Taylor is not immune.
Interested parties just go to the youtube links, play a bunch in the shops, and decide yourself.
But I think it sounds wonderfully balanced. If you like the Taylor sound, the GS Mini really gets it in a small package. Especially in a recording or if you're going to be playing through a pickup anyway (although I don't suggest the GS Mini soundhole, I'd suggest something else) or with other musicians, these things sound great. But don't expect them to work solo in a campfire setting.
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I'm just saying, it sounds great to me, and to me, they get the Taylor sound. I mean, sure, the GS Mini lacks bass and is pretty bright sounding, but have you heard my full sized GS (316ce koa)? It sounds a lot like that, and you know what? That's why I bought a Taylor. I wanted presence and a guitar that could easily be mic'd and be easily heard in a dense mix. I didn't want warmth and depth. If I wanted a deep, full, bassy sound, I'd have gotten a J45 for the same money. Or at least I would have gotten a dread instead of a GS shape. My Seagull dread is far more mellow with more depth than my Taylor (though not as loud) and that's why it's my usual guitar I play around when I'm by myself. But as soon as I'm playing with other people, I want the Taylor because it has presence.
Kicking and squealing Gucci little piggy.