pictures of your guitars here
Moderated By: mods
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dollbridemask
- .

- Posts: 4
- Joined: Fri Apr 12, 2013 8:59 am
'12 American standard strat converted to HH.
Before:

After:

I went with a vol-vol-tone configuration so I can blend between the neck and bridge pickup in the middle position.
My initial impression is the Pearly Gates in the neck is really nice, seems just a little brighter than a 59 which is one of my favorite neck pickups.
The Custom 5 is a little disappointing for the main styles that I play (rock/punk/grunge), as the notes/harmonics from the individual strings seem to get mushed together. For high gain power chords and heavy chugging riffs it's great though. I'll live with it for a while but it may eventually get swapped out for a JB or similar.
Before:

After:

I went with a vol-vol-tone configuration so I can blend between the neck and bridge pickup in the middle position.
My initial impression is the Pearly Gates in the neck is really nice, seems just a little brighter than a 59 which is one of my favorite neck pickups.
The Custom 5 is a little disappointing for the main styles that I play (rock/punk/grunge), as the notes/harmonics from the individual strings seem to get mushed together. For high gain power chords and heavy chugging riffs it's great though. I'll live with it for a while but it may eventually get swapped out for a JB or similar.
Aye it's held in by two grub screws. The trem is great, the reverb arm is huge though and a bit to art deco for my liking hence the hacksawed Strat reverb handle that I think looks far more in keeping with the guitar.Dillon wrote:^ That's a pretty neat idea. I didn't know the arm comes out. What do you think of that Les Trem? Thought about one for my own SG.
I only play - Shortscale synths
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kingkiller
- LET ME BE CLEAR
- Posts: 1607
- Joined: Fri Jun 02, 2017 1:44 pm
- Location: Florida->Michigan
Mine's a Tribute Series, and it needs nothing. Literally, the Fallout and Doheny are the only two guitars I've felt were perfect from the box (well, perfect enough - the Doheny needed a setup.kingkiller wrote:^^^^DO WANT a fallout like that one. There’s a tribute series one at a shop near me and it’s in white and it’s calling to me
10 PRINT "Bite Me!"
20 GOTO 10
20 GOTO 10
the Ovation is my favorite, I've owned it my whole adult life and it's the one I would keep if I had to sell everything else. It has a center block, not fully hollow.sunshiner wrote:That Ovation is just something else. Is it fully hollow?
And the three amps all with different voicing (and the Peavey of course). Which one do you prefer best nowadays?
As for the amps, I usually play the Orange (or Peavey) if I'm playing anything with distortion, and the Fender for cleans and pedals. If I had to trim down to one amp I'd keep the Fender. The Vox probably gets the least love, it sounds great but has a noise issue (similar to a tube rattle) at specific frequencies due to a design flaw and I haven't bothered to try to modify the chassis to correct it yet. TBH I practiced and gigged with it for months and didn't notice the issue until I tried to record with it, but now that I know it's there I can't unhear it.
Cool. I don't think I saw this Ovation model anywhere except here. I think this cheap Oscar Schmidt OE30 can be modified to emulate it. It'll just need adapter rings to accommodate those Filtertrones and maybe a Bigsby
It's interesting to know that about that Vox model. Is it a handwired model? I remember people liking them a lot, it might be nobody tried to record them back then. And yes, these modern Blackface and Silverface amps from Fender seem to have become a gigging standard even for big artists. Speaking about recordings, did you release anything new?
► Show Spoiler
matte30is wrote:Someone man up and get a balloon.
It is hardwired, it's the AC15H1TV model. The problem is the plate the tubes sit on is not secured on several sides, so when it's pushed at certain frequencies the plate acts like a spring and sends vibrations through the tubes. I've been playing it more again lately, it's a really fantastic amp in spite of the issue.sunshiner wrote: It's interesting to know that about that Vox model. Is it a handwired model? I remember people liking them a lot, it might be nobody tried to record them back then. And yes, these modern Blackface and Silverface amps from Fender seem to have become a gigging standard even for big artists. Speaking about recordings, did you release anything new?
Haven't released anything new of my own in a while now but I did join a band recently , and will hopefully record something as a full band later this year.
Fixed my setup from the last picture. Light Pank tele has replaced the CAR Strat on the wall for now. My Rolands will replace the Casios on the tiered stand once I get my Juno. Having everything set up like this now is awesome but it also makes me feel I might have a bit of a problem....
Since I no longer practice with a band in here the space has become more of a studio. I do still want to get some sort of small PA setup though for jamming with friends now and then. Thinking of a rackmount power-amp and use my interface as a passive mixer, and a couple of small 10" monitors. That and some decent cymbals. Then I can stop.













