I don't really have that problem, probably more due to different guitars/techniques. My main acoustic is a Martin, and it's pretty bass-heavy. Thicker picks make it sound really boomy, at least with the way I play, so I use thins.light rail coyote wrote:I hate thin picks, you loose all the picking dynamics. because a thin pick absorbs so much the energy in how much it flexes, your picking and strumming will all sound the same.
Favourite plectrum?
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Not really. A Plectrum gives you a completely different attack and tonality than using your fingers even if you're using your fingers like a pick.
If can't understand that I really feel for you as a guitarist. It's like the whole Bass with pick or fingers debate, both are equally valid, and that's because they SOUND DIFFERENT.
If can't understand that I really feel for you as a guitarist. It's like the whole Bass with pick or fingers debate, both are equally valid, and that's because they SOUND DIFFERENT.
I use the orange .60 dunlops. I used to use really heavy ones, (2mm at one point, like a nickel) and then moved down to mediums, always hated thins, find the .60mms to be in the middle leaning towards medium. A tad more flexible, but not wussy. Fender make some as well that are identical.
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if you drop plectrums, try my double sided ticky-tape trick (mentioned above somewhere). works a treat. i used to get cramps in my right hand from clenching the plectrum too hard onstage (adrenalin) but no longer. it's cheating a wee bit, but means i can get to the end of a set without crying.Reece wrote:aye. i prefer me fingers on acoustic but you'd never get the attack i like on a electric with fingers.
i'm more comfortable using fingers though, i tend to drop plectrums and do things like completely miss strums sometimes 'cause my hands are both as useless as each other.
I used to hate thin picks, but I've really started to love them. Mind you, thin to me is anything less than .75mm. I feel it gives me more attack on single notes, and helps with leads a little bit. The really thin, like .1 mm are the picks I find unuseable, but down to about .3 mm I enjoy.
However, Dunlop Jazz IIIs are the best picks ever made. 1mm or something like that.
However, Dunlop Jazz IIIs are the best picks ever made. 1mm or something like that.
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If you do drop it though you'll never be able to pick it up! For the floor is stronger than man D:stewart wrote:if you drop plectrums, try my double sided ticky-tape trick (mentioned above somewhere). works a treat. i used to get cramps in my right hand from clenching the plectrum too hard onstage (adrenalin) but no longer. it's cheating a wee bit, but means i can get to the end of a set without crying.Reece wrote:aye. i prefer me fingers on acoustic but you'd never get the attack i like on a electric with fingers.
i'm more comfortable using fingers though, i tend to drop plectrums and do things like completely miss strums sometimes 'cause my hands are both as useless as each other.
I'm probably never going to live this down and burn in geek hell but I remember reading one of the Drenai books by David Gemell (probably Legend) in which the advice was to rub orange peel on your hand to stop you dropping your sword whilst smiting enemies in a mighty-thewed fashion. Every single time the fucking plectrum slips around and gets dropped, or my hand cramps, I wish I had an orange to hand to test this and live my teenage fantasy of ummm smiting and that.DuoSonicBoy wrote:This stuff is awesome if you drop picks a lot.
Could just buy Gorilla snot instead....
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