silly_rabbit_band wrote:Not enough volume? This thing kills my marshall head! I had it at about 7 and the marshall all the way up (I used the stereo output on my chorus pedal) and the marshall was nowhere near as loud, I switched the jacks around, same thing. It could also be that my marshall is pretty low end, but I love my new/used Princeton chorus.
lol, wot? if it works, go with it, but i'm surprised. mine is awesome for recording, but not in a band situation.
plopswagon wrote:
Drunk and disorderly conduct is the cradle of democracy.
So I've really disliked most chorus I've ever played, and I haven't really thought much of the effect in general, but I picked this sucker up today because my band is going to be Joy Division for a cover night all my friends are doing and gosh, I love it. I don't know how I ever lived without it.
So a while back when I was looking at all these chorus pedals, I was looking at these. This is one of those circuits that Ibanez (Maxon) and BOSS went back and forth on. The CS-9 circuit is very similar to the CE-2 circuit with the addition of a second channel. The CE-3 is like the CE-2 with some parts of the CS-9 circuit added onto it. This is very similar to the relationship between the TS-9, OD-1 and SD-1.
ah, yeh, it gets the job done. I only really use it if I'm messing around with stuff like this. chorus is more useful for guitar applications I think. that Applause Super Chorus is really cool. it's a CE-3 with the addition of a SENS knob. that let's you get way more sounds out of it. and I got it for $5 on ebay.
got a new phone (nokia E71), which has a better camera and instant upload to photobucket. thought i'd see if the auto upload works. been browsing/posting all week on it.
put the phase 90 and tu-2 back on the board.
it's worked!
Guitars: Fender Classic Player CS 60’s Stratocaster, Epiphone “Yungblud” SG Jr
thanks haze. that wooden board is just a stop gap till i find a board i like. which is mainly any board that is not angled. i have been thinking of one of those TREX tonetrunk ones. i'm in a pickle at the mo, as i keep taking and replacing the phase 90 on and off a lot. i've dug out my old emily the strange sg and clean it up and but 12's on it. with just my amp and the tubescreamer, it's like plexi city, well almost.
what you rocking at the mo haze?
Guitars: Fender Classic Player CS 60’s Stratocaster, Epiphone “Yungblud” SG Jr
Had a good jam with the uncle and my little sister's new boyfriend [he's a good kid you know] at my graduation party today
*exits to snap a quick pic*
fuck no camera and its late
Pitch Black
Box of Cake [still love this thing]
Big Muff
DD600 Delay
RV-7 Reverb [still love this thing]
RC-2 Loop
The Box of Cake is getting a lot of use as a FUZZ believe it or not. The extra switch that makes the gain knob full on is sick. I'm not sure what a real hotcake sounds like with the gain all the way up but i can't imagine its anything like this beast.
The Muff is getting all my good black keys tones but Mike's building me a Sun Face clone at the moment and i suspect that will be the keeper.
I'm also thinking of ordering a Echo Base Lite aswell. Or a Carbon Copy. STILL UNDECIDED!!! But a small clone is a must before too long...
end result will hopefully be as followed
Pitch Black
Box of Cake
Sun Face slone
Small Clone
Echo Base Lite / Carbon Copy
RV-7
RC-2
My things:
MG-66 Mustang and Squier Bronco bass. Just these two guitars until I get that Toronado.
Roman RS410 combo (4W 12AX7+6L6, 10", open back).
Exar Chorus (not sure which model, it was stripped down and pretty sucky painted by prev owner), OCD, SuperFuzz clone, Snarling Dogs Whine-O-Wah.
Pretty minimalistic. Thinking of getting some kind of delay, a phaser and digitech whammy.
i like chocolate, i like fudge
if i can't make any, i won't budge
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