a fuzz face is on the list of things i wanna try. would you recommend the extra controls compared to a standard fuzz face, mike?
i like the sounds gilmour got on the early floyd stuff.
Guitars: Fender Classic Player CS 60’s Stratocaster, Epiphone “Yungblud” SG Jr
Pedals: Dunlop Crybaby Classic>Made By Mike Saltbooster>Ceriatone Centura
Progrockabuse wrote:a fuzz face is on the list of things i wanna try. would you recommend the extra controls compared to a standard fuzz face, mike?
i like the sounds gilmour got on the early floyd stuff.
I apologise for being a smart arse but wasn't the early Pink Floyd stuff Syd Barratt?
Progrockabuse wrote:a fuzz face is on the list of things i wanna try. would you recommend the extra controls compared to a standard fuzz face, mike?
i like the sounds gilmour got on the early floyd stuff.
The Fuzz Face model on the M9 is my weapon of choice, it's like the perfect balance between "fuzz" and "distortion" especially with the EQ controls the model offers- I'm sure the MBM one would be as flexible and badass.
Progrockabuse wrote:i mean early floyd in the sense of live at pompei, meddle, atom heart mother. So just after gilmour took over and before dark side of the moon.
I love that Floyd era, actually I love the era from Syd to Animals - not so keen on The Wall although there are some awesome songs on it. Echoes on Live at Pompei is the business.
Nah I order them from supplies in the two sizes (24mm and 19mm) and mix and match sometimes if it takes my fancy (or as in this case, I run out of large knobs)
Order list is getting long so I've been soldering my little nuts off all day long.
Clockwise from top left; Green Muff (skip), Green Muff with Tone Bypass (serfx), Slow Gear Clone (finboy), Saltbooster output stage for Slow Gear Clone (finboy), Bass Fuzz, Bass Overdrive. SInce this picture I've added wires to all of them and tested them. They all worked first time - now THAT is a good feeling.
Nope, I'm so busy these days that I build them and then I ship them. I literally have no time for doing demos, much less to build extra pedals not for customers to demo.